Wednesday, January 30, 2013

THIS PLACE: ADAM'S DOWNTOWN LA LOFT...


WOW. This home is a DREAMBOAT. So much upcycled goodness. It really is spectacular. I feel completely inspired. THANK YOU.

I feel no need to add any more words to this, except... all images come from the OLD BRAND NEW BLOG, and you can read the interview and see all of the images HERE.


Images via OLD BRAND NEW BLOG

A GIFT: GOLD DUST WOMAN...

Yesterday we received perhaps the most wonderful of gifts from AHD artist MARK DREW. Inside a tube was a print and the ORIGINAL DRAWING of our of GOLD DUST WOMAN  greeting card (and now posterWRAP) by Mark Drew for AHD PAPER CO. What a gift! It's the only original we own of all of the cards we have. Something quite special indeed, we are looking forward to getting it framed and hung in the near future. 

Thanks Mark. The Towns...



Saturday, January 26, 2013

TRADE SHOW INSPIRATION...

The INCU POP UP STORE at KOSKELA over the Christmas period is serving as our inspiration for this year's LIFE INSTYLE trade show at HORDERN PAVILION. Our intention is to use lots of pine, alongside splashes of black and yellow (those two colours belonging to our logo) ...much like this.


IMAGES VIA HERE

Friday, January 25, 2013

THIS PLACE: HOBOKEN COFFEE ROASTERS...

One of my 'go to' blogs/sites is  EMMADIME.COM. A dear friend introduced it to me some time ago, and it quickly became an absolute favourite. Emma  is originally from Dallas Texas, but now resides in the San Fransico Bay area. Foremost she's a graphic designer and undoubtedly has a wonderful eye. She's also obsessed with font and colour, a contributor to KINFOLK MAG, and has a fancy for KNITTING. She's my kind gal!

Let it be said (and duly noted) that we consume a great deal of coffee (perhaps too much) in the Town household. It gets us through early mornings and late nights. HOBOKEN COFFEE ROASTERS is one of Emma's latest projects,  that is, designing their lovely logo. Their shop, too, is my kinda place. If only we had more places like this in Australia, yes?! Although, I'd be out all the time, and rarely getting work done!


IMAGES VIA HERE

HAPPY AUSTRALIA DAY...


Wednesday, January 23, 2013

AHD PAPER CO. 2013 ARTIST REVEALED - RAY YOUNG CHU SERIES 2......

We are very happy to reveal RAY YOUNG CHU's second series for AHD PAPER CO. Ray's first series has been an absolute hit, and we are thrilled he agreed to come back and do a second series for us (thanks Ray). I first came across Ray's work on Pinterest around eight months ago, and after seeking him out via social media (my emails would not go though), we very fortunately came to work together. It's been an absolute pleasure working with Ray, he truly is such a lovely guy, with an undeniably fabulous sense of humour, and boy oh boy does he know his way around a paint brush.

RAY YOUNG CHU FOR AHD PAPER CO. SERIES 2...

1) DJ REXCUT
2) DINOCAT LASER CONE
3) CEREAL KILLER TRIPLE TROUBLE


ALL IMAGES REMAIN THE PROPERTY OF AHD PAPER CO. AND RAY YOUNG CHU


MANUSCRIPT ARTICLE - JOSEPH ALLEN SHEA...

JOSPEH ALLEN SHEA is one of the original AHD ARTISTS (and one of my personal favourite AHD card series), here is a fabulous interview with him in MANUSCRIPT (DAILY)...


Director, Gallery A.S. & Publisher, Izrock Pressings
Photography Liz Ham | Words Mitchell Oakley Smith

Time, it seems, is a foreign concept to Joseph Allen Shea. In less than a decade, the former graphic designer has established himself as integral to the health of Sydney’s cultural landscape with a rich portfolio of curatorial, commercial and publishing projects that challenge the established modes of traditional art institutions. “I was getting so used to the small white cube approach to exhibitions that I got to a point where I really wanted to try some more ambitious things,” explains Mr Allen Shea, 34, of launching Gallery A.S. following six years spent as gallerist at Monster Children. Under the banner of Gallery A.S., the curator presents solo and group exhibitions in unusual locations in a sort of rogue rebuttal to established galleries. Since 2010, Mr Allen Shea has presented exhibitions of the work of artists including Daniel Askill, Lisa Cooper and Anthony Lister in spaces such as a Christian Science Church in Darlinghurst, the former Paramount Pictures building in Surry Hills, and Cotton Duck, a restaurant in the same area. “It’s about spaces where you wouldn’t expect to find contemporary art. Where there’s a conversation between the architecture and the art.” This, he believes, allows the audience to respond to the work in a way they might not otherwise in a more conventional space. Given the culture that surrounds Gallery A.S. – a social scene interconnected with Mr Allen Shea, the artists he presents and the projects he’s directed – it stands to reason that such exhibitions should attract audiences beyond traditional art patrons. A launch night night feels more like a Sydney Festival event that it does an art opening, in line with the rise of independent, offsite art programs that have come to define Sydney’s art culture in recent years. But that said, and despite Mr Allen Shea’s relative youth as an independent curator, there is a particular criticality in the way the curates exhibitions which is so often lacking in the aforementioned public art events. This, too, has something to do with the space acting as an interpreter of sorts between the work and its audience; where the white gallery is intended to fall away before the viewer, leaving just the artwork, Mr Allen Shea thwarts this contemporary 20th century practice in favour of an approach that is in some ways far more classical. In his first Gallery A.S. exhibition, Modern Worship, Mr Allen Shea worked collaboratively with the artist, filmmaker Daniel Askill, in steering a body of work towards a unifying concept – worship, in this case – and sought an exhibition space in which to present it. While he had in mind a church, the curator was lucky in finding the recently-shuttered Christian Science Church: an imposing, seemingly impenetrable building that has since been turned over to a residential developer. That the artist’s single-channel video work – a meeting of the two events that form the conceptual underpinning of the exhibition: Michael Jackson’s death and the September 2011 terrorist attacks in New York City – was screened in the pitch-black darkness of a church, replete with pews, added a mournful reverence to the work. Similarly, the first exhibition held at the former Paramount Pictures Building created a dialogue between the space and the group works. Here, Mr Allen Shea researched the building’s history – some say actors Bob Hope and Charles Heston have been there – which subsequently informed his curation of the group show: motion pictures-based. And just as he has stepped out of the box, so to speak, with his approach to curation, so too is Mr Allen Shea unafraid to realise exhibitions in tandem with commercial brands, as he did in late 2012 with a three-day show, again at Paramount, commissioned by Adidas. “It is a world that you have to gauge with a lot of diplomacy and ensure that everyone’s agendas are harmonious,” he explains, “but in this case, Adidas were open to marketing their brand by associating it with an art show.” In response, Mr Allen Shea’s show, Synthesis, was made up of female artists whose work, in some way, connected to Adidas’ business of sportswear: no work was statically hung on walls, but instead comprised moving images or installations or sculptures that required their audience to move around it. Traditionalists might argue that such commercial underpinnings represent the demise of art’s pure intentions, but in a post-critical art culture, and with contemporary artists more often working outside of the regular bounds of the studio-to-dealer- to-buyer structure, financial support like that of Adidas represents a new way to realise interesting exhibitions. In doing so, it invites new audiences to engage with art in a way that traditional art museums struggle to do. Mr Allen Shea reaches an audience broader still with Izrock Pressings, an independent publishing venture he established in 2007. This, he explains, was simply a way of contributing to the subcultural art world with which he is engaged. “I got a lot of enjoyment from seeing artists’ work but didn’t think they were being seen. Though the distribution of a printed form, thousands more people have the opportunity to engage with it.” The project remains ongoing, producing an average of three to four projects on an annual basis, including small-scale monographs by Jonathan Zawada, Rene Vaile and Marcus Oakley. Publishing, Mr Allen Shea concedes, is challenging given the economic climate and thirst for digital content. “But,” he says, “they’re important documentation. Historical artefacts, in some ways.” That Izrock Pressings has been distributing books globally for close to a decade has established Mr Allen Shea’s name far beyond Australia, which will prove beneficial come September 2013 when he opens a permanent gallery in Paris, Galerie Allen. “The idea,” he says, “is to create a conversation between Paris and Sydney, taking Australian artists over there and bringing European artists here,” though while the gallery will represent its exhibiting artists commercially, he is keen to ensure it doesn’t become a tokenistic Australian gallery. “Our Australianness will come through, but we want it to be more than that.” As such, Mr Allen Shea will maintain an independent curatorial agenda, creating offsite shows, too. “I feel as though there’s great things happening here but, for the most part, people aren’t looking at Australia, and we’re not well represented enough overseas," he says. "I want to help change that.”

Image and words via MANUSCRIPT DAILY

AHD PAPER CO. 2013 ARTIST REVEALED - VICTORIA GARCIA......

We were fortunate to have emerging artist, designer and illustrator VICTORIA GARCIA approach us last year. 

Based in Sydney, Victoria currently works as a textiles designer where she creates digital textile print designs for both local and international clients that have included: Ginger and Smart, Peter Alexander, Lisa Ho, Marnie Skillings and Karen Walker.

Victoria's approach to art and design has been heavily influenced by her illustrative work and she specializes in creating hand drawn imagery and pattern, such a wonderful addition to AHD PAPER CO.'s range.

VICTORIA GARCIA FOR AHD PAPER CO...

1) SURROCODELIA #61
2) WILD HORSES
3) BIRTHDAY PARTY



ALL IMAGES REMAIN THE PROPERTY OF AHD PAPER CO. AND VICTORIA GARCIA

Tuesday, January 22, 2013

AHD PAPER CO. INTERVIEW ON THE SHELF/LIFE BLOG...

One of our wonderful stockists, Jess, from  the gorgeous little store SHELF/LIFE in Surry Hills, asked us to be a part of her 'QUICK CHAT SERIES' on her blog. Of course we said 'yes'...



                     
Our first interview of 2013 is here and it is awesome! Kara Town, of Sydney-based stationery label AHD PAPER CO., offers up a hugely insightful glimpse into her life as she and husband Chris build their dream business. It’s pretty clear that they are highly passionate about what they do and the results speak for themselves really – check out the AHD PAPER CO. range at shelf / life here.

Tell us a bit about your business and how long you have been running it.

AHD PAPER CO. is a boutique paper company specialising in locally manufactured, environmentally sound products created by a clever bevy of hand-picked artists.  My husband, Chris and I work directly with both Australian and international artists, designers and illustrators to curate two collections per year. Our main intent is to give artists a simple, freely accessible platform with which to share their work; serving art to the public through the medium of simple paper goods. We’ve only been running the business for around 18 months now.

Was there a defining moment where you decided to turn your dream into reality?

The idea for AHD was born during an unforgettable 3 month stint in Paris almost 3 years ago now.  I still remember the day we sat at one of our favourite locals, le Refectoire, and drew out the vision for our logo, and the aim of our brand on a napkin. We still have that napkin. We were both feeling rather disillusioned with our day jobs, impossibly inspired by Paris, and we recognised above all else we loved art and wanted to bring it to the people, on, albeit a small but really accessible level. Chris had worked in bookstores and recognised quickly that there was a really big gap in the stationery market, a gap perhaps we could fill.  So we dreamt up AHD, took the plunge and have never looked back.

Can you describe your typical day?

At the present time we both still work full-time and run AHD in any spare moments we have, which are not a lot, but we both have learnt to make great use of the time we have either side of our full-time jobs. This usually means both before and after work and during our weekend. It’s a labour of love at this point, but it looks likely that all of our hard work might just be paying off, and things might change in 2013. A typical weekday goes (something) like this:

COFFEE then AHD EMAILS, PACK CARDS/ORDERS, SET ARTWORK etc, MORE COFFEE, SHOWER, OFF TO OUR DAY JOBS FOR 8 HOURS, WALK/RUN, DINNER, SOME SORT OF TV DOWNLOAD, SHOWER then AHD EMAILS, PACK CARDS/ORDERS, SET ARTWORK etc…

Weekends are far more relaxed, there is a great deal of AHD work to be done, but a lot of work is done in bed, on the couch, outdoors …or at the local cafĂ©.

 A little peek at AHD Paper Co’s most recent release – PosterWRAP

What 3 tips would you give to someone starting a creative business?
Quite simply, have a: clear vision, work impossibly hard (you’ll find this is nothing-less-than pure joy when it’s yours) and be willing to evolve. One thing we have wholeheartedly embraced is that you need  to learn from what works and what doesn’t work, address it, make the necessary changes and evolve.  Listen to the feedback, to your instinct and to your product. It can only make your business stronger.
How do you stay motivated? Where do you find inspiration?
Due to our business model, where we outsource all of our designs, we find we are constantly inspired by our artists and therefore motivated to share and best represent their work through the medium of AHD. We have had the pleasure of being approached by a number of national and international artists who want to work with us; to us, it shows we must be doing something right!
 If you could change one thing about your business what would it be?
Without a doubt,  that we worked on it full-time; something we are most certainly working our way towards, rather rapidly. It’s the reason we started the business in the first place, not only to satisfy an intense creative need, but to create a lifestyle for us, as a family (that’s us and our three furry boys at this point).
 And lastly, what is your favourite aspect of running your business?
 Despite the unavoidable tension at times, we’d both have to say …working together. Chris and I got married almost 7 years ago after only a short 6 months together (we were engaged after 8 weeks). We truly are the best of friends with a common vision and a love for spending time with each other, and a real passion for art. That, and working with so many wonderfully generous, talented, creative people. It makes life so very rewarding.

Interview via SHELF/LIFE

Sunday, January 20, 2013

AHD PAPER CO. 2013 ARTIST REVEALED - HOLLY WALES......

UK artist/illustrator HOLLY WALES approached us to collaborate some time last year. To say we were chuffed, is an understatement. As soon as we saw HOLLY'S WEBSITE we knew her bold colours and extraordinary use of the felt tip marker would be the perfect match for AHD...and it is.

HOLLY WALES FOR AHD PAPER CO...

1) GOOD VIBES
2) LOVE MOTEL
3) HAPPY BIRTHDAY



ALL IMAGES REMAIN THE PROPERTY OF AHD PAPER CO. AND HOLLY WALES

Thursday, January 17, 2013

YOU ARE AMAZING...

Our new range of posterWRAP is no available from the MUSEUM OF CONTEMPORARY ART STORE in Sydney. They have been wonderful stockists of our card range for some time now, and we are very pleased they have added our AHD PAPER CO. posterWRAP to their collection...


Images via AHD PAPER CO.

IF I HAD A STUDIO...

You see, I've been collecting images for 'IF I HAD A STUDIO' for a little while now. I've been longing for my own space from which to work on AHD PAPER CO., making 'work time' more official and in turn, more productive....AND NOW I DO. Well, technically it's not a studio, but a sweet little corner in our sunroom/dining room that I can call my own. My husband, Chris tends to dominate the front room, working in the real STUDIO amongst all of our AHD stock and wares.  I've never really felt comfortable in this room though, it just does not feel like mine, I tried a few times, to no avail. So there you have it, thanks to Chris' handiwork (he made me a wonderful desk/bench space) we both have our own little creative/productive corners of the house now. 

Here are some images that have inspired my space...


IMAGES VIA PINTEREST